The Architecture Exchange produces two series of books: Exchange Books (with Bloomsbury Press) that document the intellectual exchanges platform between architecture and contemporary theory and Workshop Books (with AE Press) that document the dialogues that emerge from our workshops.
Theory’s Curriculum catalyzes an emerging discourse upon the fate and future of architectural theory in our time. It gathers philosophical reflections, historical diagnoses, and polemical arguments from a younger generation of teachers, writers, academics, historians, and theorists who are each charged with teaching architectural theory to new generations of students in the classroom. Together they reassess the standard ways in which architectural theory has been taught, either through a history of theoretical concerns, a tabulation of theoretical frameworks, or a roster of authors. They address themselves to the conditions that frame theoretical labors; and reflect on who constructs architecture’s theoretical canon, who speaks as a theorist, who theory speaks about, who theory addresses, and about what, why, how, and for what purpose.
Joseph Bedford
Architecture Exchange Press
2020
6 x 0.4 x 9 inches
1
978-0998375021
Joseph Bedford
Architecture Exchange Press
2016
6 x 0.4 x 9 inches
140
978-0998375014
Imagining Architecture Beyond the End Times captures the reflections of a generation caught between the failures of utopian thought and cynical reason. The book seeks to retool old means in search of new ends; of new stars by which to navigate in an age of dis-aster, literally, an age without stars. The eight essays presented here are the result of a closely shared conversation. They are the revised labor of a week of collective living, discussing the times in which we live and in which the task of practicing architecture is historically situated. They present differing reactions to the state of the present and to the conception of time and history as determinants of architectural imagination. They variously propose critique, provocation, aphorism and manifesto, with sentiments of confidence, anger, retrenchment, modesty, irony and hope. They are imaginative gestures aimed at kick-starting the faltering motor of history, in a world that appears too frequently, as the saying goes, as being blown backwards into the future.
